Epona - Goddess of the Horse

Epona is the name of the ancient horse goddess of the pagan Gallic peoples and whose name and worship spread throughout the Celtic and Roman worlds.  Today she is still honoured and revered by those who follow the old religion, such as myself, and I've tried in these pages to put down some of my thoughts and studies on Epona, her history and her present. 
Obviously this has a very personal bias and not everyone is going to agree with me on everything but all comments are welcome and I hope you find this informative and entertaining.


The Historical Epona

Decline and Rebirth

The Historical Epona

Epona - Roman votive plaqueEpona can be traced back under that name to the Gallic peoples of what is now northern France.  However as these people, along with the Celts, are decendants of tribal peoples who came from the east, spreading up along the Danube vallet into central and western Europe, it is not surprising that kindred peoples have the horse as a primary totem deity as the horse would have been vital for a wandering people.  These peoples, as Pagans today tend to do, associate the male energies of nature with horned animals, such as the stag.  It seemed natural then then that the mare became associated with the feminine aspects of nurturing and fertility.  Early carvings of Epona often show her with foals or feeding horses emphasising this aspect.  In particular white mares were venerated - most likely because white was always seen as a "pure" colour with deep spiritual connotations and also, unless specifically bred for, white horses are uncommon.

The worship of the horse had certainly spread to Britain by the Bronze Age.  The most famous of all horse monuments, the White Horse of Uffington, has been dated to around 1400 BCE.  This hill figure, carved deep into solid chalk on a Berkshire hillside, depicts a stylised horse combining elements of bird and dragon into her running form.  Many claims have been made for the provenance of this hill figure, particularly those claiming to link it to Alfred the Great's defeat of the Danes and also to the semi-mythical Jutish princes Hengist and Horsa ("Stallion" and "Mare") however OSL dating places the original figure as having been in existance for at least 3000 years.  The nearby neolithic chambered long barrow of Wayland's Smithy (named after the Norse hero, Weyland, who can also be seen as an aspect of Odin) also points to the site being of a great age and, as Odin was the focus of a horse cult, it is possible that horse worship has been occurring on this site since neolithic times.  The Uffington horse is quite clearly female (as are all the truly old white horses in England) and there is mention of the Uffington mare having had a foal beside her in Ralf De Deceto's "Tract of Wonders" dated 1180; however no evidence of a foal has ever been found and no subsequent mentions are made in any texts.

Epona existed in other guises throughout the Celtic world, becoming Rhiannon in Wales and Macha in Ireland.  In all the legends attached to these two deities they  are portrayed with heroic qualities, prepared to sacrifice themselves, a characteristic of the ancient worship of the horse goddess aptly demonstrated in the Irish kingship ritual and repaid in acts such as that of Versingetorix who at his last stand against the Roman army, rather than risk the slaughter of his horses, sent them behind the lines and faced his enemies on foot.

Despite the loss of the Gallic kings to the Roman invasion Epona's worship flourished as she was adopted by the cavalry legions and spread throughout the empire.  There is evidence, from writings such as "The Golden Ass" of Apuleus, that she spread further from just being a goddess of the cavalry into being a goddess of anyone who worked or had dealings with horses.

I've written more on the old worship of Epona in my page on horse magic so if you're interested in more, why not have a look there.


The Decline and Rebirth of Epona

With the decline of the Roman empire and the spread of Christianity throughout Europe the worship of Epona both declined under the dead hand of the bishops and princes but was also absorbed and transformed within the imported religion.  The symbol of the white horse was absorbed into Christian iconography as one of purity, many saints being depicted on white horses.  However direct worship of the divine in animal form was strongly supressed but clung on in the form of the "obby oss" dances in their varoius guises and the hill figures of old were deemed still worthy of maintaining and regular "ritual" scouring and cleaning of the horses, accompanied by games and revelry, continued to take place throught the centuries.

It was with the rebirth of interest in the old religion around the turn of the century and with the reinvention of  The Craft following the publication of Gardiner's "High Magic's Aid", the repeal of the Witchcraft laws and the movement towards reincorporating the female into the divine that Epona could truly begin to emerge from the shadows.  Although changed somewhat through the years of exile (as have all the old Gods and Goddesses) she has  once more taken her rightful place in our imaginations and workings.  There are now a number of websites that feature Epona and associated horse imagery (I've listed some of the ones I like on the links page)

Redvane Fox